पूर्णिया के ग्रामीण क्षेत्रों में मृत्तिका उत्कीर्णन मुख्यतः महिलाओं के द्वारा किये जाते हैं जिन्हे स्थानीय लोग ‘लिखनी-पढ़नी’ या ‘चेन्ह-चाक’ कहते हैं। उनके मोटिव्स के अपने सांकेतिक अर्थ हैं।
This article traces the historical journey of Mithila painting, that of the painting of walls, floor-spaces on the medium of paper in North Bihar.
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